Through the moving figure and fragmentation, Diana Coca uses the self-portrait as a support to provoke the contained violence of the multiplying contrast between the noise of urban spaces and the pure nature not violated by the human being. The body never appears completely, but rather by parts or splinters, giving subjectivity to the self-portrait. She wants, in some way, to insert our postmodern and sensory mutilations (the body without organs of Deleuze and Guattari) into a liberating plant origin.
Works
- Artist book 2
- Craft 2
- Drawing 71
- Graphic artwork 2
- Installation 12
- New Media 1
- Painting 49
- Photography 56
- Sculpture 22
- Work on paper 3
Naturaleza Extrema X. Pekin. 1/5
Diana Coca
500€
Dimensions: 20.00 × 20.00 × 0.00 cm
Year: 2010
Description: Through the moving figure and fragmentation, Diana Coca uses the self-portrait as a support to provoke the contained violence of the multiplying contrast between the noise of urban spaces and the pure nature not violated by the human being. The body never appears completely, but rather by parts or splinters, giving subjectivity to the self-portrait. She wants, in some way, to insert our postmodern and sensory mutilations (the body without organs of Deleuze and Guattari) into a liberating plant origin.
Type of artwork: Photography Technique: Digital printing with mineral pigments. museum quality Hahnemühle Fiber 310 gsm.
In stock
